Exploring Ahalya through the lenses of Sita in The Forest of Enchantments

Abstract

Sita in her scholarly journey called Sitayan gives abstract space and rehabilitates these ladies, who have since ages confronted judgment and embarrassment. This paper expects to concentrate on Sitayan as a womanist composition that values careful security, energizes orientation fairness, advances compassion, and undermines the connection between the edge and the standard. I will also explore the character of Ahalya through the lenses of Sita. Divakaruni's Sitayan in The Forest of Enchantments (2019) is a promising piece of writing that is absorbed Sita's quest for selfhood. This work is particular from other retellings of Sita's story since it is indiscriminatory in nature with regards to the portrayal of fringe voices. Focusing on aggregate great and strengthening of ladies for a huge scope makes this scholarly endeavor a remarkable talk. The importance of Sitayan's womanist viewpoint combined with its base spotlight on the authenticity of the minimized characters to move towards the middle makes this account even more significant in contemporary terms and specific while compromising for those they love. The womanist point of view of Divakaruni makes a device of ladies' composing that is rationalistically provocative and promising.